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・ Nicolaus Mulerius
・ Nicolaus of Aetolia
・ Nicolaus of Damascus
・ Nicolaus of Luxemburg
・ Nicolaus Olahus
・ Nicolaus Olai Bothniensis
・ Nicolaus Olai Campanius
・ Nicolaus Pol
・ Nicolaus Ragvaldi
・ Nicolaus Ragvaldi (monk)
・ Nicolaus Reimers
・ Nicolaus Ricii de Nucella Campli
・ Nicolaus Rohlfs
・ Nicolaus Rungius
・ Nicolaus Schafhausen
Nicolaus Schmidt
・ Nicolaus Schuback
・ Nicolaus Silver
・ Nicolaus Sombart
・ Nicolaus Taurellus
・ Nicolaus Thomas Host
・ Nicolaus Tideman
・ Nicolaus van Aelst
・ Nicolaus van Esch
・ Nicolaus Vernulaeus
・ Nicolaus Vetter
・ Nicolaus von Amsdorf
・ Nicolaus von Below
・ Nicolaus von Braun
・ Nicolaus von Tüngen


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Nicolaus Schmidt : ウィキペディア英語版
Nicolaus Schmidt

Nicolaus Schmidt (born Arnis, Germany on January 1, 1953) is a German artist, photographer and historian. He studied at the Hamburg Art Academy (HfBK) in the 1970s. In 1975, he founded ROSA, one of Germany’s first gay-themed magazines. During the 1980s, he was a volunteer with the German branch of the children’s rights organization Terre des Hommes, serving for a time as its chairman. Since 1991, he has been living and making art in the Berlin neighborhood of Prenzlauer Berg.
== Public Works ==

In 1982, Nicolaus Schmidt created the Cerro Rico Aktion with 100,000 tin cans. In this work, the artist created an outdoor installation inspired by his interest in Third World affairs. Via public media, people were asked to collect tin cans so that the artist and his team could build a shining silver mountain (“Cerro Rico”) to symbolize the Bolivian mountain of the same name.〔(kunstaspekte.de (German) )〕 This project called attention to the historical exploitation of South America’s wealth by European conquerors, and the use of child labor in the region. The Cerro Rico Aktion served as a prototype for many campaigns protesting conditions in the developing world.
In 2008, Schmidt and Christoph Radke presented RECONSTRUCCION! (Reconstruction) at the 10th Portes Obertes in El Cabanyal/Valencia, Spain.〔El Pais, El Cabanyal se abre al arte, 2008-10-28〕
With this performance/installation, the artists protested against the demolition of the architecturally and historically significant quarter. Despite their efforts, the area was partly destroyed shortly thereafter so that a new avenue can be built in the future. The conflict is still going on (2012).

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